{"id":10173,"date":"2017-06-20T07:06:16","date_gmt":"2017-06-20T07:06:16","guid":{"rendered":"https:\/\/www.designmantic.com\/blog\/?p=10173"},"modified":"2026-01-21T11:23:02","modified_gmt":"2026-01-21T11:23:02","slug":"algorithm-based-designs","status":"publish","type":"post","link":"https:\/\/www.designmantic.com\/blog\/algorithm-based-designs\/","title":{"rendered":"Algorithm Based Designs: Not A Parallel Universe Anymore!"},"content":{"rendered":"<p>With algorithms providing a turbo boost to the traditional  design workflow, what with the rise of generative design processes like genetic  algorithms, the role of designers is taking on a more systematic approach  instead of the customary, top down approach of rendering ideas on paper. While  designers are used to sketching and developing ideas intuitively, rather than  fantasizing a viable design solution, a genetic algorithm can allow them to  establish a fitness criteria and trick the algorithm into creating a final  design.<\/p>\n<div style=\"margin-top:40px; margin-bottom:40px;\" align=\"center\"><a href=\"https:\/\/www.designmantic.com\/logos\/search?utm_source=algorithm-based-designs&amp;utm_medium=topbutton&amp;utm_campaign=ctatracking\" target=\"_blank\" class=\"cta-button\" rel=\"noopener noreferrer\">Create A Logo For Your Business<\/a><\/div>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/The-Perks-Of-Algorithm-Driven-Design.png\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Algorithm-Driven-Design.png\" alt=\"The Perks Of Algorithm Driven Design\" title=\"The Perks Of Algorithm Driven Design\" class=\"alignnone wp-image-10361\" width=\"650\" height=\"\"><\/a><br \/>\n<em>Click to see full infographic<\/em><\/p>\n<p>In a previous article we discussed how <strong><a href=\"https:\/\/www.designmantic.com\/blog\/artificial-intelligence-molding-design\/\" target=\"_blank\" rel=\"noopener noreferrer\">artificial intelligence is molding the future of design<\/a><\/strong>, here we are with a few fascinating real world examples of Algorithm based designs which prove that artificial intelligence is indeed the future of design.<\/p>\n<hr style=\"border-color:#ddd; width:70%;\">\n<p align=\"center\"><a href=\"#heading1\"><strong class=\"topheading\">MIT Lab\u2019s new Logo With 40,000 Permutations<\/strong><\/a><\/p>\n<p align=\"center\"><a href=\"#heading2\"><strong class=\"topheading\">Nutella\u2019s One of a Kind Patterned Jars<\/strong><\/a><\/p>\n<p align=\"center\"><a href=\"#heading3\"><strong class=\"topheading\">Typography using Algorithms<\/strong><\/a><\/p>\n<p align=\"center\"><a href=\"#heading4\"><strong class=\"topheading\">Creating Typography in Real Time<\/strong><\/a><\/p>\n<p align=\"center\"><a href=\"#heading5\"><strong class=\"topheading\">The Future of Generative Design<\/strong><\/a><\/p>\n<hr style=\"border-color:#ddd; width:70%;\">\n<h2 id=\"heading1\">MIT Lab\u2019s New Logo With 40,000 Permutations<\/h2>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/MIT-Media-Labs-New-Logo.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/MIT-Media-Labs-New-Logo.jpg\" alt=\"MIT Media Labs New Logo\" title=\"MIT Media Labs New Logo\" class=\"alignnone wp-image-10175\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/MIT-Media-Labs-New-Logo.jpg 761w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/MIT-Media-Labs-New-Logo-300x220.jpg 300w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/MIT-Media-Labs-New-Logo-409x300.jpg 409w\" sizes=\"(max-width: 761px) 100vw, 761px\" \/><\/a><\/p>\n<p>As an ode to 25 years of backseat touchscreen-keyboard-3D-display hybrids, vision-scanning iPhones, and driving robots, Brooklyn-based designers came up with an ingenious algorithmic logo for the MIT Media Lab that generates a unique logo iteration for each of the Lab\u2019s unparalleled brains. The algorithm can tweak the three customary overlapping spotlights of the logo using 12 different color combinations to create 40,000 distinctive logo shapes and designs, offering Media Lab personnel a whopping 25 years\u2019 worth of tailored business cards.<\/p>\n<p align=\"center\"><iframe src=\"https:\/\/player.vimeo.com\/video\/20250134\" webkitallowfullscreen=\"\" mozallowfullscreen=\"\" allowfullscreen=\"\" width=\"600\" height=\"336\" frameborder=\"0\"><\/iframe><\/p>\n<p>This one of a kind algorithmic design is Media Lab\u2019s first attempt at a coherent identity and represents the organization\u2019s efforts to up their branding game in light of the transformation of the lab from a shabby operation touting its claims to enhance the \u201cdigital evolution\u201d, into a full-scale brand synonymous with big-time math geeks, collaboration, and experiments. It was high time the brand had a graphic design to parallel its success.<\/p>\n<h2 id=\"heading2\">Nutella\u2019s One Of A Kind Patterned Jars<\/h2>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Nutellas-One-Of-A-Kind-Patterned-Jars.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Nutellas-One-Of-A-Kind-Patterned-Jars.jpg\" alt=\"Nutella's Patterned Jars\" title=\"Nutella's Patterned Jars\" class=\"alignnone wp-image-10176\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Nutellas-One-Of-A-Kind-Patterned-Jars.jpg 687w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Nutellas-One-Of-A-Kind-Patterned-Jars-290x300.jpg 290w\" sizes=\"(max-width: 687px) 100vw, 687px\" \/><\/a><\/p>\n<p>After four years of capitalizing on words alone to personalize its jars, Nutella has decided to travel down an unprecedented, yet not entirely untapped, road; Leveraging distinctive design to make each packaging unique and stunning in turn. In collaboration with the advertising agency Ogilvy &amp; Mather Italy, <a href=\"https:\/\/www.dezeen.com\/2017\/06\/01\/algorithm-seven-million-different-jars-nutella-packaging-design\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Nutella created first limited-edition seven million jars<\/strong><\/a>, each adorned with a distinctive, one-of-a-kind label design.<\/p>\n<p align=\"center\"><iframe src=\"https:\/\/www.youtube.com\/embed\/sHYakhyvJps\" allowfullscreen=\"\" width=\"600\" height=\"336\" frameborder=\"0\"><\/iframe><\/p>\n<p>The packaging designs for these jars in the \u2018Nutella Unica\u2019 series were created employing an algorithm and <a href=\"https:\/\/www.designnbuy.com\/label-design-software\/\" target=\"_blank\" rel=\"noopener\">label design software<\/a> that blended together myriad patterns and colors to give birth to millions of disparate arrangements. Each one of the combinations was given a unique ID code to authenticate it as a unique jar and customize it, and then printed on a label. The agency likens these unique Nutella jars to pieces of art, each distinguished with its own code so that collectors can authenticate it. This creative strategy makes Nutella as expressive and special as every one of its followers. One special algorithm, thousands of colour combinations, and dozens of different patterns later, Nutella has become somewhat of a collector\u2019s item!<\/p>\n<h2 id=\"heading3\">Typography Using Algorithms<\/h2>\n<p>Copper plate engraving and moveable printing presses may have paved way for modern design software, but regardless of the shift in the methods of designing type, fonts continue to be created by hand at large. When you add this to the fact that most global fonts constitute up to 600 characters in multiple languages, each typeface with myriad styles and weights can take more than a year to design.<\/p>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Typography-Using-Algorithms.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Typography-Using-Algorithms.jpg\" alt=\"Algorithm Driven Typography\" title=\"Algorithm Driven Typography\" class=\"alignnone wp-image-10177\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Typography-Using-Algorithms.jpg 800w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Typography-Using-Algorithms-300x225.jpg 300w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Typography-Using-Algorithms-768x575.jpg 768w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Typography-Using-Algorithms-401x300.jpg 401w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>However, the design company Hoefler &amp; Co., after having catered to fortune 500 clients such as Barack Obama, Starbucks, and Nike, has unearthed the use of algorithms to expedite the process. Company founder and senior designer assert that algorithms can take tedious tasks that previously fell to designers and automate them for maximum efficiency. This holds true, especially for embellished, ornamental fonts. Their vectors must contend with determining the lighting and dimensions of the letters, in addition to their curves.<\/p>\n<p><a href=\"https:\/\/www.wired.com\/2015\/01\/ingenious-new-typeface-inspired-old-maps-made-algorithms\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Obsidian is the first algorithm-based font<\/strong><\/a> to receive this treatment. The three-dimensional, decorative font, rooted in the ornamental look and feel of old maps, is built over the preexisting structure of a popular type called Surveyor. To lend a contemporary feel to the font, an algorithm was designed which had the ability to light the 3D typeface rapidly and show dimension by creating the necessary shadows. Since the typeface was designed in a virtual environment where light can be simulated on any letter, it alleviated the designers from getting their hands stuck with the painstaking task of manually drawing shadows on each character.<\/p>\n<h2 id=\"heading4\">Creating Typography In Real Time<\/h2>\n<p>Typography designer Kyuha Shim worked with MIT\u2019s SENSEable City Lab\u2019s team on data visualization, where he stumbled upon the realization that the parametric design principles employed in designing jewelry and buildings could be tweaked to apply to graphic design field as well. More than being interested in pure representation of data, Kyuha Shim rather had an eye for how practitioners can leverage data to make better decisions about the production process in design.<\/p>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Creating-Typography-In-Real-Time.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Creating-Typography-In-Real-Time.jpg\" alt=\"Real time Typography\" title=\"Real time Typography\" class=\"alignnone wp-image-10178\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Creating-Typography-In-Real-Time.jpg 800w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Creating-Typography-In-Real-Time-300x225.jpg 300w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Creating-Typography-In-Real-Time-768x576.jpg 768w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Creating-Typography-In-Real-Time-400x300.jpg 400w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a><\/p>\n<p>Algorithms have plenty of top-notch practical applications, such as boosting efficiency by taking menial, repetitive details off the hands of designers and automating them. Algorithms can also help graphic design elements respond to motion, sound, and other external inputs. Every element of a layout can be impacted by tweaking a single parameter, rendering the process much less labor intensive.<\/p>\n<p>For his project \u201cPerforma\u201d, he designed an <a href=\"https:\/\/www.wired.com\/2015\/03\/using-algorithms-design-responsive-typography\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>algorithm that created shape-shifting typography<\/strong><\/a> in real time by using typing-input data. Upon pressing a key, the corresponding character will elongate, thicken, or stretch until the finger is removed. The more extended you want the letters to become, the longer you press the key. Similarly, the thicker you want the stroke width, the harder you push the key.<\/p>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/1.gif\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/1.gif\" alt=\"Project GEM (GIF)\" title=\"Project GEM (GIF)\" class=\"alignnone wp-image-10179\" width=\"550\" height=\"\"><\/a><\/p>\n<p>In his project GEM, Shim Kyuha delves in to determining the complexity of code-driven typography. The morphing image above is a product of randomly automated crops of images and a \u201cturbulence noise algorithm\u201d. The density of image particles outlining the texts is controlled by the user, while the system is responsible for choosing certain other perimeters, such as the position, size, and decay of fragments from the image, that dictate the appearances of the rendered text.<\/p>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/green.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/green.jpg\" alt=\"Geomerative\" title=\"Geomerative\" class=\"alignnone wp-image-10180\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/green.jpg 818w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/green-300x149.jpg 300w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/green-768x382.jpg 768w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/green-500x249.jpg 500w\" sizes=\"(max-width: 818px) 100vw, 818px\" \/><\/a><\/p>\n<p>Similarly, Yeohyun Ahn\u2019s work borders right on incredulously bizarre, as it is the epitome of what the art form can accomplish. Yeohyun generates ornamental letterforms from scratch with the help of a code library, including letters that are reminiscent of tree branches, letters evoking explosions of reproductive organs, and letters that are actually made of bubbles. <a href=\"http:\/\/www.ricardmarxer.com\/geomerative\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Geomerative is a code library<\/strong><\/a> that allows designers to design innovative letterforms by forming geometric equations and then transforming them into SVG and TrueType fonts. Geomerative is a famous algorithm which is also creatively leveraged by the designer Caligraft to craft letterforms emulating fireworks, sketch lines, and smoke. Similarly Germany\u2019s Generative Typografie created letters composed of an endless array of stringy grids using Geomerative.<\/p>\n<h2 id=\"heading5\">The Future Of Generative Design<\/h2>\n<p>Over the last couple of years, Generative design has been ruffling a lot of feathers among insiders at conferences and media art festivals. Through the interplay of programming and graphic design with intricate information, fascinating and breathtaking visual worlds are emerging, where correlations are made visible with the help of coincidental. Individuals in a plethora of industries are starting to realize the full potential of algorithms on the design world.  Generative design patterns are fast jumping off the computer screen into the practices of fine art, graphic design, architecture, and interior design.<\/p>\n<p>Generative design allows designers to start with a set of objectives- for instance the amount of sunlight ideal for a room or the desired energy consumption of a machine- and then let algorithms take over the drafting solutions. This could be an enormous breakthrough for designers, since when they build something, be it a trash can or a sky scraper, their preconceived notion of how it should look and act can hinder their creativity.<\/p>\n<p>On the other hand, a tool like Autodesk software is an unbiased tool, whose only goal is to optimize the criteria set forward by the designer. Unfettered by prejudices and preconceptions, a generative algorithm can allow its creativity and ideas to run amok, chucking out bucket-loads of possible solutions, digitally accessing the performance of each after the fact.<\/p>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/The-Future-Of-Generative-Design.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/The-Future-Of-Generative-Design.jpg\" alt=\"Lightning by Autodesk\" title=\"Lightning by Autodesk\" class=\"alignnone wp-image-10181\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/The-Future-Of-Generative-Design.jpg 658w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/The-Future-Of-Generative-Design-300x176.jpg 300w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/The-Future-Of-Generative-Design-500x294.jpg 500w\" sizes=\"(max-width: 658px) 100vw, 658px\" \/><\/a><\/p>\n<p>The best part about generative design is that it spits out enthralling objects that appear incredulously organic, just as if the earth had sprouted them itself, rather than being borne of a string of code. For instance, consider the prototype pictured above. It was created for a San Carlos based electric motorcycle company called Lightning, by Autodesk. The company is renowned for designing the fastest production bikes available anywhere in the market. Lightning wishes to outfit its vehicles with the most durable and lightest parts possible. This is where Autodesk comes into play; with its Dreamcatcher software, it crafted a swing arm for the design- the piece holding the rear wheel attached to the frame of the bike- by beginning with strength and weight as the basic design elements, instead of the customary shape of metal. Once the Dreamcatcher received these set of constraints, the software starts churning out all the viable design solutions.<\/p>\n<h3>Here Are A Few Awe-Inspiring Instances Of Generative Design:<\/h3>\n<p>Megan Chesterton employs a system for <a href=\"https:\/\/www.behance.net\/gallery\/4588967\/Geometric-Album-System\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>generative design to craft a series of album covers<\/strong><\/a>, where patterns are created based on the genre of music, the album title, and the artists name. The corresponding patterns, shapes, and colors are generated as a result. This breakthrough is revolutionizing the art of album cover design.<\/p>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Generative-Design.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Generative-Design.jpg\" alt=\"Generative Album Covers\" title=\"Generative Album Covers\" class=\"alignnone wp-image-10182\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Generative-Design.jpg 1000w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Generative-Design-300x150.jpg 300w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Generative-Design-768x384.jpg 768w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Generative-Design-500x250.jpg 500w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/enohenze.de\/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Eno Henze<\/strong><\/a> created this mesmerizing drawing based on the signatures left by subatomic particles in detectors. These signatures are used and stripped of their function by these topic accelerators as scientific evidence. The impermeable thicket of signs hint at an attempt to leverage scientific reasoning in explaining the world. The artist estimated the real signatures through a drawing machine of his own creation and his frame-based algorithm.<\/p>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/subatomic-particles.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/subatomic-particles.jpg\" alt=\"Algorithm Based Signature\" title=\"Algorithm Based Signature\" class=\"alignnone wp-image-10183\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/subatomic-particles.jpg 850w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/subatomic-particles-300x151.jpg 300w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/subatomic-particles-768x386.jpg 768w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/subatomic-particles-500x251.jpg 500w\" sizes=\"(max-width: 850px) 100vw, 850px\" \/><\/a><\/p>\n<p>Artist <a href=\"https:\/\/www.behance.net\/teokon\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Theo Kontaxis<\/strong><\/a> has designed a series of mesmerizing generative portraits, such as a classic take on bob Marley and Barack Obama. His portraits depict his great skills in leveraging algorithms to his liking and the fun he has had with algorithms.<\/p>\n<p align=\"center\"><a href=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Artist-Theo-Kontaxis.jpg\"><img decoding=\"async\" src=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Artist-Theo-Kontaxis.jpg\" alt=\"Generative Portraits of Obama\" title=\"Generative Portraits of Obama\" class=\"alignnone wp-image-10184\" width=\"550\" height=\"\" srcset=\"https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Artist-Theo-Kontaxis.jpg 563w, https:\/\/www.designmantic.com\/blog\/wp-content\/uploads\/2017\/06\/Artist-Theo-Kontaxis-212x300.jpg 212w\" sizes=\"(max-width: 563px) 100vw, 563px\" \/><\/a><\/p>\n<p>These rich and varied examples portray the visually exciting forms that can now be realized as a result of wildly complex concepts. Since traditional design workflow is receiving a major boost from algorithm based designs, the traditional role of designers is taking a more systematic approach, as opposed to the top down approach of designing on paper, helping designers express their creativity more freely and without hesitation of repercussions.  How do you think this fast approaching era of automation is going to fare for designers? Do share your opinion in the comments below!<\/p>\n<style>\n.topheading{font-size:18px;}<br \/>\n<\/style>\n","protected":false},"excerpt":{"rendered":"<p>With algorithms providing a turbo boost to the traditional design workflow, what with the rise of generative design processes like genetic algorithms, the role of designers is taking on a more systematic approach instead of the customary, top down approach &hellip; <a href=\"https:\/\/www.designmantic.com\/blog\/algorithm-based-designs\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":10185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[262],"tags":[],"class_list":["post-10173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-graphic-design"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.6 - 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