When we talk about creativity designing and inspiration, no other person than design maven, Michael Bierut can be your ultimate source of inspiration. In a recent interview with Wired<\/strong><\/a>, Bierut spilled the beans over his dogma about creativity and how designers should imbue this concept in their work. The notions that he put forwarded in this interview caused a great stir on social media. The design community voiced their opinion to show the extent to which they agree or disagree with his ideas. I also posted the link of his interview on my LinkedIn<\/strong><\/a> account and creative professionals of the field expressed their opinions about it. Being an avid design enthusiast, I have my own take on his ideas and here I have decoded major creative designing lessons that he proposed and my unique take on them. <\/p>\n Drawn from his wide and rich experience, Bierut extends an affable advice to his counterparts to make the most of creative period. He firmly believes that every individual is exposed with a limited amount of creativity at any given period or time, so one should make the most of this period and use the element of scanty creativity to the fullest. I tend to agree with Bierut somewhat, but we do not have alarm within ourselves that tells us whether we are in a creativity high or not. I would like to add that if you want to create mesmerizing designs for your brand and business, you need to acquire a proactive approach. A creative designer must also need to be aware of himself to know when creativity hits him so that he can dive in the sea of the creative world and bring amazing creations and designs to life.<\/p>\n Talking about the idea of being viable from an industry veteran is a tad bit surprising for me. Bierut\u2019s expansive work and ingenuity would not reach to its pinnacle if he had only abide by the rule of being practical. Indeed, it\u2019s important to embrace perfect symmetry in the design<\/strong><\/a> process, but if we limit our creative thinking process to being practical and viable, we may lost the definition of newness. Being experimental promotes new ideas and creative thinking. As a designer, your creative designs must resonate the voice of your clients or your brand in the practical world and in my opinion, a graphic designer can do that by being both viable as well as by working on a completely out of the box idea.<\/p>\n One design mantra that this design aficionado swears by is to look for an innovative and unique spin in an existing design. Beirut believes that in order to create something new, you do not necessarily need to start from the scratch; instead, a unique take from a new perspective and creative tweaking can totally enliven an old design. If I ponder over this thought, my mind would sketch those employees who believe in \u2018look busy, do nothing\u2019 approach. Graphic designing and carving out a unique identity for your brand through amazing designs is all about creating ripples. If we keep on tossing out pebbles in the river, it will restrain its flow and limit your creative thinking.<\/p>\n Undoubtedly, Bierut has a profound fondness for narrow columns and monochrome designs. From his iconic posters for Light Years<\/a><\/strong> to MIT Media Lab<\/strong><\/a> logo, most of his designs reflect strong penchant for narrow column and monochromatic style. According to Bierut, narrow columns as well as black and white style add rhythm in a simplistic design, but according to me, it\u2019s not wise to promote one art form that you personally fancy and ignore others.<\/p>\n If graphic designers only work with monochromatic style, bright and vivid hues will vanish from our life. When we talk about art, the first few things that come in our mind is happy colors, amazing strokes and creativity; we cannot single out one form of art. I also think that this is an area where Bierut should experiment more. Every time he has created something with the splashes of colors, he won me over and it would be interesting to see more colorful creations by him.<\/p>\n On one hand, Bierut advices to stay within the realm of practicality; on the other hand, he also suggests to break the rules. Graphic designing is an artistic field and the way an artist creates and makes designs becomes his identity. Switching from highly creative mode of breaking the rules to a safe and secure mode of creating something within a confined paradigm may affect consistency and coherence in a graphic designer\u2019s work.<\/p>\n I believe that one must be persistent to unravel newfangled ideas and should not limit the use of unconventional ideas. Moreover, the strategy of being creative is also effective when you are searching for ways to deal with ideas block<\/strong><\/a>, this trick of breaking the rules can expose you to the plethora of new clues to be followed to create impressive and unique designs.<\/p>\n\u2022 Exploit Creativity Threshold (Buy Yourself A Creativity Alarm)<\/h2>\n
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<\/a>I think he might meant that creativity at least for him is not something that will come from an inspired moment or an inspired idea. I do think it’s quite different from Design professionals because they do it day in, day out. Verbatim from Jony Ive “Different and new is relatively easy. Doing something that’s genuinely better is very hard.<\/em><\/p>\n\u2022 Be Viable (Or Be Boring!)<\/h2>\n
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<\/a>If what he meant to say is that intuition and feeling plays a strong part in producing good design, then I would agree with that. But to ‘not believe’ in creativity or think that it is overrated makes zero sense at all. It’s a banal thing to say, and I can only infer that he either thinks there is little point in the creative process because everything has been done already, or else he thinks that the only good idea is an original idea. Both of which are of course wrong. Yawn<\/em><\/p>\n\u2022 Create New With The Old (We\u2019re Not Lazy Dude!)<\/h2>\n
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<\/a>I think there is a difference between creativity and originality. As designers, I believe we often create based on previously seen or heard, designs & inspiration; consciously or subconsciously no matter what industry we’re in. I constantly look to other designers for inspiration. Something truly original and innovative is difficult to come by in any medium.<\/em><\/p>\n\u2022 Penchant For Monochrome (And Bid Farewell To Colors!)<\/h2>\n
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<\/a><\/p>\n\u2022 Break The Rules (Of Course, Rules Are Meant To Be Broken!)<\/h2>\n
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<\/a>Creativity lives inside us all and I believe the quoted statement from Mr. Beirut is out of touch with the ideals of what we all strive to do as non celebrity designers, to create art with purpose. I have yet to see a real live unicorn at the zoo or on safari so is creativity not used to deliver a graphic representation of this object?.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"